The Slow Burn
Vaal preaches the values of patience on the part of both writers and the audience. He also tries his hand at making Twilight actually romantic.
Vaal preaches the values of patience on the part of both writers and the audience. He also tries his hand at making Twilight actually romantic.
Every two weeks, I drive thirty miles to the nearest quality comic shop to pick up my pulls. The place is a little cluttered, a little crowded, but a far cry from the dank pick of the unwashed and socially maladjusted anti-nerd types (most of whom are other nerds, but that’s a different blog post) like to paint them as.
I don’t get much time to hang out there, but I usually end up having one conversation while I’m there; usually about non-comics topics, oddly enough. But this week, it dawned on use just how unbelievably good comics have been lately.
True, there have been some face-plants: DC’s debut of Red Hood and the Outlaws, comes instantly to mind, but in general, there’s been a sudden, inexplicable rise in quality of late. Where before, many of us found ourselves hanging on to multiple series in the hopes that they would get good because we like the setup or the characters, suddenly we’re excited about the titles themselves again, talking about how great the writing and story and characterization is.
Normally, I would arrange my comics so I get the comics in danger of being cut from my pulls out of … Continue reading